News — colour

What Makes 800T the Original and Only True 800-Speed Tungsten-Balanced Film for Still Photography

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Photo of a light table with some samples of imitation films processed together in the same tank with 800T as a control.

When searching for CineStill films have you come across any “brand new” color films “made by” random brands lately? Are their claims strikingly similar somehow? Have they cracked the CineStill code? No, they have not… Through thorough quality assurance, we have concluded that true 800T — utilizing our meticulous and unique production process — is the only color film that can stand behind the claim of being both 800-speed and Tungsten balanced. This article will further explain how we came to this conclusion and go into detail showing the results of our extensive testing. We are not here to be nit-picky or point fingers and name names — which might get a little confusing — but some names may sound familiar to you by now. Those “800T” imitations and “400D” generics (repurposed from existing 500-speed or 250-speed motion picture film, respectively) are not representative of the original motion picture film’s quality nor the performance of CineStill films’ sensitivity and color fidelity. Although they may replicate the signature CineStill red halation glow, they are only somewhat comparable to expired film, in that they appear age fogged with shifted color-balance and exhibit a slower effective film-speed (200-400 ISO at best) resulting in a film not suitable for proposed use, let alone low-light photography; that is unless you like underexposed/expired film. For those looking for fresh film, we are fortunate to still have several other excellent high-speed color films available today (even with the recent unavailability of 400H and C200) — from UltraMax and Portra 400 to Lomo 800 and Portra 800 — but 800T is still the only tungsten-balanced, true 800-speed film made for still photography. Anything else, isn’t…

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Introducing: Cs2 “Cine Simplified” ECN 2-Bath Kit, for Low-Contrast Motion Picture Color Negatives

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After years of research and development, we’re are proud to release our reinterpretation of classic cinematic chemistry, the CineStill way. Following the lead of our other chemistry offerings, simplicity is key. As with Cs41 “Color Simplified” 2-Bath kit, the Df96 Monobath Single-Step solution, and the Cs6 “Creative Slide” 3-Bath process, we are making at-home processing modernized, simplified, and safe.

Introducing the CineStill Cs2 “Cine Simplified” ECN 2-Bath Kit. Low contrast, cinema style processing for all color film. A complete, easy-to-use, 2-bath process for photographers, which produces low-contrast color negatives synonymous with the motion picture workflow. A safe and foolproof process, without all of the troublesome byproducts of the original industrial method.

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A DP's Point of View - CineStill 50D & 800T by Rob Hauer

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CineStill 50Daylight

You may recognize the above image by Rob Hauer from our web site sample images of our 50Daylight emulsion. Rob was an early tester of our CineStill 50Daylight emulsion, but since then he has continued to capture beautiful images on CineStill 50D and 800T with an incredible eye for composition and light! It is really interesting to see what a director of photography does with...

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"Cigarettes & Coffee Porter" on 800T by Jessica Palopoli

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"I went to a blind tasting at a brewery in SF (Cellarmaker) - they brewed their "coffee and cigarettes" porter with three different types of coffee beans from local coffee roasters. Tasters had to vote for their favorite." - Jessica Palopoli

Jessica is a freelance photographer living in San Fran working a lot with local Bay Area businesses. She has been doing photography since 1993 and is very...

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